Autodesk Fire // Linux

http://www.boneheadzsystems.sk/images/stories/uipsd_in_dve-750.jpg

Deftly handle any type of creative editorial work. Autodesk® Fire® systems software lets you spend more time creating visual effects and less time rebuilding your digital cut, giving you more time to brainstorm in real time during client-supervised sessions. Interactively manipulate unlimited layers of high-resolution film in this advanced 3D DVE and compositing environment.

Editing

  • Multi-Master Editing™ feature allows distribution in multiple formats from a single timeline
  • Mixed resolution desktop and editing timeline
  • Real-time HDTV editing
  • Multi-format capture and playback including PAL/NTSC, 720p, 1080i, 1080p
  • Unlimited vertical timeline editing with nested containers for complex visual effects
  • Multi-channel audio editing and mixing
  • Multi-tape archiving with browsable table of contents
  • Real-time 2K, HD, and SD editing
  • Support for 4K (4000x3000) resolutions in timeline
  • Edit multiple resolutions and formats into a single timeline
  • Support for 23.98, 24, 25, 29.97, 30, 50, 59.94, or 60 fps
  • User-definable resolution and frame-rate conversion
  • Real-time letterbox and overlays, loop replay, BVB/VBV/VVV previews, field/frame monitoring, full resolution, or proxy monitoring
  • WYSIWYG pan and scan
  • Track-to-track, real-time video compare (for example, online/offline) function with split or blend.
  • Gestural, picture-based editing
  • Head/tail, timeline, and storyboard editing
  • Detailed clip information including source/record metadata and clip proxy
  • Unlimited source/record areas with searchable libraries
  • Intuitive track patching
  • Cue marks with comments for fast access to specified parts of timeline
  • Creative editorial tools—two- and three-point edits, fit-to-fill, four-point edits
  • Cut on the fly
  • Trim to mark and/or position
  • Track Editor lets you view and slide individual keyframes on a track with multiple tracks or keyframes selected
  • Insert, overwrite, ripple replace, and replace edits
  • Multi-track trim, slip, slide shots, and transitions
  • Soft edits—uncommitted edits, transitions, and speed changes for creative experimentation
  • SMPTE wipes and fully customizable Bézier shape wipes
  • Dissolve to/from color
  • Quick splice for adding edits into clips in the timeline
  • “Remove match frame edits” function
  • Source timeline comparative views for editing source timelines into new programs
  • Multilevel match clip for quickly finding the original source material from a timeline clip
  • Automatic audio/video sync break detection and correction
  • Re-establish new sync relationships between sources
  • Fully animatable speed curves with adjustable interframe mixing and trailing for vari-speeds
  • Source to record match
  • Soft Effects—Timewarp, Color Corrector, Blend, Axis (including animated matte and keying capabilities), and Sparks® plug-ins
  • Drag-and-drop Soft Effects directly on timeline clips and preview before processing
  • Apply soft effects to blank segments (gaps) in the timeline to modify underlying segments
  • Automatically re-apply soft effects to reconformed timeline clips
  • Slip soft effects to adjust soft effect timing
  • Sophisticated simultaneous master timeline and container view
  • Create, drag, drop, and preview effects on any clip, segment, selection, or container in the timeline
  • Multi-selection of soft effects with animation controls
  • Multiple players on EditDesk for fast sync, trimming, and Soft Effects
  • Capture proxy files only, reducing hard drive space
  • User -definable hot keys and specialized keycaps
  • Hot key dissolves, fades, and audio crossfades
  • Lock effects to prevent accidental modification

Audio Editing

  • Unlimited audio tracks with 32 tracks of real-time playback
  • Fully integrated 24-bit 48 kHz audio subsystem
  • Eight AES/EBU outputs from breakout box with SMPTE/EBU LTC timecode output (audio only).
  • Audio waveform display with subframe (1/100) accurate editing
  • Audio Soft Effects can be created and edited in real-time on the timeline—NEW
  • Vari-speed audio scrubbing for selected or all tracks
  • Audio timestretch with pitch correction control
  • Audio mix-down capabilities, including at file export
  • Audio mixing capabilities with fully keyframable animation control of audio levels, pans, and EQ during real-time playback
  • VST Audio plug-in support (reverb, modulation, dynamic compression, full parametric EQ)
  • Support of external audio controllers with transport control and hot key mapping ability (for example, JL Cooper MCS-3800)
  • Audio file import and export (aiff, aiffc, avr, bicsf, MPEG-1, nextsnd, samplevision, soundesigner2, soundfront2, voc, and wav)
  • Dolby® E coding support—NEW

3D Compositing

  • True 3D space with full camera control and multiple light sources
  • Updated UI enhances artist’s workflow. Object node bin and object menu make it easier to add and control elements in the scene—NEW
  • Selective lighting with parenting affecting only specific layers
  • Surface attributes like shininess and specular highlights
  • Bicubic and extended bicubic 3D warping in DVE Layers
  • Multiple DVE layers with independent control of key, color correction, tracking, and axis attributes
  • Duplicate animations quickly by applying settings to other objects—NEW
  • 3D text capabilities
  • Schematic editor for viewing and editing compositing workflow—NEW
  • Image source nodes for sophisticated matte combinations—NEW
  • Copy layer settings, setups and clip references between DVE media layers
  • Displacement mapping and motion blur controls
  • DVE blend modes, including add, multiply, and subtract
  • Import of FBX® 3D files from Autodesk® 3ds Max®, Autodesk® Maya®, Autodesk® MotionBuilder™, and other 3D applications
  • Import multiple 3D models on a single layer
  • Fully interoperable with Autodesk Inferno, Flame, and Flint Action setups
  • Grids and guides for accurate positioning and element layouts

Keying & Color Correction

  • Master Keyer with interactive gestural control for complex keying tasks
  • Multi-channel Keyer (Color Channel, HLS, YUV, RGB, or RGBCMYL, Luma)
  • Adjust and animate tolerance, softness, shrink, and matte erosion
  • Full color suppression controls for accurate spill removal
  • Foreground/background matte controls for edge blending
  • Degrain tool for cleaner matte edges
  • Unlimited number of spline-based garbage mattes
  • Advanced gradient GMask for defining per-point fade-out from edge of mask
  • Selective motion blur of multiple GMask shapes
  • Punch matte option for specifying front or back mattes to be used in the composite clip
  • Track and automate spline-based garbage mattes
  • Colour Warper™ functionality for advanced primary and secondary color correction
  • Overlay user interface with dynamic UI visibility to provide more monitor space for viewing high-resolution images
  • Use 3D LUTs with a calibrated display to see how a clip will appear on the final medium, such as film. 3D LUTs also have consistency between different products including Autodesk® Lustre® color-grading system
  • View a clip with a 3D LUT turned on to see the effect of a 3D LUT without altering the clip
  • Commit and process the clip with a 3D LUT applied, allowing for real-time clip viewing
  • RGB control of hue, saturation, contrast, gamma, gain, and offset adjustments
  • Histogram and curve controls
  • Selective correction of highlights, midtones, or shadows
  • Advanced color selection and color matching
  • RGB color rewiring for color replacement
  • Internal waveform and vectorscope
  • Comparison buffer for precise color comparisons

Tracking & Stabilization

  • High-speed, high-quality motion tracking with four-point corner pinning (perspective)
  • Stabilize footage, compensate for transfer jitter and handheld cameras
  • Track and automate spline-based garbage mattes
  • Precise subpixel field or frame-based motion analysis/motion estimation tools
  • Image magnifying glass for accurate positioning of tracker boxes
  • Pre-track path analysis and display for more intuitive selection of potential track points
  • Advanced controls for smoothing, refining, or locking track data
  • Offset, forwards, and backwards tracking for flexibly tracking off-screen and occluded objects
  • Copy and paste tracker values into any other channel in any module

Advanced Paint & Filters

  • Advanced Paint module, including Autopaint with motion tracking
  • User-definable brush properties include size, opacity, shape, jitter, pressure sensitivity, direction, roll, and rate
  • Paint effect brushes include blur, clone, drag, impressionist, recursive, reveal, smear, shade, stamp, warp, and wash effects
  • Animate, track, and record all brush strokes
  • Animatable multilayer geometry and cutouts (including Bézier shapes)
  • Complete drawing tools for motion graphics and garbage mattes
  • Precise matte extraction for traveling mattes and fast rotoscoping
  • Dirt, scratch, and wire removal using the Clone tools
  • Hand-drawn garbage mattes and creative painting
  • Map multiple keystroke sequences to a single button, field, or function
  • Auto matte feature for quickly creating high-contrast mattes
  • Highly efficient high-quality Blur filter
  • Negative, monochrome, posterize and other commonly used filters
  • Optics module for creating glow effects, emboss, fabric, halo, reticulate, sharpen, soften, and so forth
  • User-definable matrices or procedural filters
  • Film degrain and regrain tools
  • Video interlace/deinterlace, field merge, reverse dominance, and so on
  • Hundreds of third-party Sparks plug-ins available

Title Animation & Character Generation

  • Create and preview Text animation directly in the Timeline using Soft Text
  • Create unlimited numbers of animated text layers
  • Import standard Adobe® Type 1 and Apple® TrueType® fonts, including Asian (CID) fonts and ASCII text files
  • Import standard Open Type fonts
  • Library font preview window
  • Layer, paragraph, and character hierarchy for layout and animation
  • Independent character adjustment of fill, transparency, shadow, outline, underline, kerning, and axis control, logo import
  • Animate all text properties including position, shearing, scaling, and rotation by layer or character
  • User-definable tab stops for precise text layout
  • Spell checking with customizable dictionary
  • Create and apply user-definable font styles
  • Roll and crawl layers with “Fit Best Speed” optimization for precise roll/crawl speed
  • Group, save, and load text layers as one unit

Animation Channel Editor

  • Auto Keyframe capability.· Adjust based on absolute or relative values
  • Explicit Keyframe, motion path, or direct manipulation animation
  • Full cut, copy, and paste curves between channels
  • Constant, linear, and hermite animation curves
  • Natural interpolation method for dynamically optimized smooth animations
  • Mix interpolation methods between keyframes
  • Extrapolation setting for controlling the curve before the first and after the last keyframe
  • Convert extrapolated curves to keyframed curves for additional manual control
  • Curve functions to swap, flip, reverse, simplify, and remove jitter from curves
  • Stretch, compress, and offset groups of channels interactively
  • User-definable default interpolation modes
  • Redesigned UI is standardized across all Autodesk® Editing and Effects systems applications—NEW

Expressions—NEW

  • Create accurate animations based on user-programmed parameters.
  • Full library of functions including mathematical, logical, and conditional operators, vectors, and constants.
  • Parameters can be linked so that an object’s rotation varies as a function of its distance from a light source—as you animate the object’s position, its rotation is calculated automatically.

Conforming & I/O

  • Real-time uncompressed RGB HD/SD video I/O
  • HSDL I/O for progressive 2K files
  • Dual-link RGB 4:4:4 I/O (Telecine/Datacine/HDCAM SR)
  • Support for VariCam footage with automatic frame rate conversion
  • Import/Export popular graphics files (TGA, TIFF, SGI, DPX, PICT, JPEG, and etc)
  • Real-time support for up to 12-bit RGB media
  • Advanced conform tools for EDLs, AAF, OMF (with audio media), and Apple® Final Cut Pro® XML
  • Keycode support to conform using scanned film frames (DPX) and telecine log (ALE, FLX, ATN)
  • Recursively scan file directories for streamlined file import—NEW
  • Automatic tape name assignation on file import—NEW
  • Control Fire in VTR Emulation mode via RS-422 interface
  • Integrated EDL editor and comprehensive EDL management toolset
  • Import/export CMX/SONY/GVG EDLs with cuts, dissolves, SMPTE wipes, freeze-frames, varispeed, split edits, and comments
  • 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60fps EDL conform
  • 30 to 24fps EDL conversion
  • Multilayer, multitrack, or container assembly from multiple EDLs
  • Batch capture multiple clips from EDL or Log file
  • C-mode auto capture of multiple EDLs with adjustable trim handles
  • Capture on the fly, or from In to Out point
  • Automatic 2:3 removal on capture; automatic 2:3 insertion on output
  • Full project archiving for backup of selected clips, libraries, or the entire project in a single operation. Setups can be archived together with the media.
  • Archives may be stored as files, on data tapes (DLT, DTF, and others), or (multi) videotape (SD and HDTV VTR)
  • Output multiple clips directly from EditDesk or Clip Library
  • Import Photoshop PSD files with layered structure or as a flat image
  • Import/export industry-standard video files
  • Import Autodesk® Combustion® compositing software tracker, stabilizer, color correction, and Gmask setups
  • Soft Import and Publish audio and video to open file systems
  • Import 16- and 32-bit floating point OpenEXR image files. Framestore storage, export, and editing support for 16-bit floating point clips—NEW

Storage & Networking

  • Autodesk® Stone® Direct—high-speed fiber channel storage solutions for real-time access to high-resolution media
  • Stone® FS—advanced file system guarantees performance and reduces fragmentation risks
  • Hardware RAID (RAID 5) or Software RAID (RAID 3) to protect from data loss of audio and video media and non-obstructive background healing
  • Capacity- and bandwidth-scalable, including delivery in real-time of a single 2K stream, dual HD, and 601 video streams
  • Concurrent storage of clips in all supported resolutions without partitioning
  • Autodesk® Wire® networking for visual browsing and high-speed transfer of clips.
  • Intuitive user interface to browse remote libraries, view proxies, and scrub through clips
  • Supports TCP/IP to run on any network

Workflow & Productivity

  • Full clip compatibility between all Autodesk Editing and Effects applications for project roundtripping
  • Autodesk® Burn® background rendering in the timeline, Clip Library, and modules—NEW
  • Integrated Autodesk® Backburner™ monitoring of Burn renders
  • Send encoding tasks directly to Autodesk® Cleaner® XL mastering and encoding software for expanded Export Media format and codec support
  • Lustre Color Management includes library of display and conversion LUTs and monitor calibration software—NEW
  • Keycode support to conform using scanned film frames
  • Composition reformatting, for multistandard conversion (SD/HD/film)
  • EditDesk search and undo/redo List (up to 50 levels)
  • Extended search filters (search range of timecode, name, comment, and more)
  • Proxy processing for fast previews
  • Advanced proxy controls. Clip proxies defined by size, resolution, or frame rate
  • Media unlinking and relinking
  • Film color look-up table (LUT) tools
  • Record area list view with sortable display (if clip is selected, highlights clips on the timeline)
  • Multiselection soft effect editing with animation controls
  • Project-based dual-view Clip Library provides media organization and sharing between separate Autodesk advanced systems
  • Clip History automatically saves setups of rendered clips, providing a non-destructive way to access intermediate results and to make changes at any time
  • Clip History source clip replacement accelerates versioning—NEW
  • Clip list view displays history of source clips—NEW
  • Reorganized UI takes advantage of the widescreen interface to minimize menu swapping—NEW
  • Online help and button tooltips provide quick access to documentation and button descriptions—NEW

http://www.boneheadzsystems.sk/images/stories/ui3d_lut-750.jpg

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Источник: www.usa.autodesk.com













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Категория: Видео монтаж | Добавил: asv_nix (21.05.2008)
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